Hélice
Boxwood
34 x 11 x 11 cm
A sculpture shaped by the continuous rotation of a vertical form. The piece unfolds as an enveloping curve, advancing in a spiral and creating a dynamic interplay between movement, void and continuity.
Helix
Cartografía del gesto
Steel and slate
6.5 x 17 x 11 cm
A work articulated through line as its principal element. Lines overlap and interweave in an open composition, where drawing leaves the plane and becomes a spatial presence.
Cartography of Gesture
Secuencia circular
Okoume plywood
11 x 37 x 37 cm
A sculpture developed from three curved segments that shift between opening and closure. The pieces can complete the continuity of the circle or partially overlap, revealing a changing form in which each section discloses, conceals and extends the curve.
Circular Sequence
Variaciones materiales
Wood and metal
Various dimensions
A series of pieces exploring relationships between form, matter and constructive gesture, forming an open constellation of small autonomous structures.
Material Variations
Despliegue horizontal
Iron, boxwood and steel
11 x 23 x 6 cm
A sculpture constructed as a sequence of forms expanding laterally. Curve, cut and direction combine in an open composition, where each element extends the movement of the previous one, creating a continuous yet shifting reading.
Horizontal Unfolding
Mano velada
Aluminium
53 x 21 x 11 cm
A piece constructed around a restrained manual gesture. The hand appears as trace and sign, in a composition where the upward direction introduces a reading of pause, intention and fragility.
Veiled Hand
Ritmo ascendente
Boxwood and iron
27 x 15 x 21 cm
A sculpture built from a sequence of undulating volumes that rise vertically. The form introduces an organic, almost bodily cadence, where each section seems to extend the previous one in a continuous movement between impulse, pause and elevation.
Ascending Rhythm
Estructura cruzada
Boxwood and ebony
28 x 34 x 19 cm
A composition constructed from the crossing of linear pieces and superimposed planes. The work organises opposing directions within an open structure, where the rhythm of the elements creates a dynamic reading between order, displacement and construction.
Crossed Structure
Candelabro giratorio
Ramin, copper and brass
29 x 19 x 10 cm
A sculptural candelabrum composed of two movable pieces that allow the position of the candles to be varied. The work transforms a functional object into a changing composition, where rotation introduces different relationships between verticality, symmetry and ritual gesture.
Rotating Candelabrum
Punto de equilibrio
Steel and boxwood
55 x 35 x 47 cm
The piece is organised around a single point of contact that activates its central balance. From this minimal condition, the form establishes a precise relationship between weight, axis and oscillation, transforming stability into a provisional state.
Point of Balance
Curvas opuestas
40 x 25 x 14 cm
A sculptural letterbox constructed through the dialogue between two opposing curves. The main surface wraps around the piece with a clean, continuous presence, while the frontal opening introduces a counter-gesture that activates the relationship between function, matter and movement.
Beech, steel and brass
Opposing Curves
Nube de trazos
Steel, iron and boxwood
32 x 15 x 14 cm
A sculpture built from an accumulation of curved lines and interwoven paths. The piece condenses gesture into a dense yet airy form, where the material seems to expand like a cloud of movement, rhythm and internal tension.
Cloud of Lines
Coplementarios
Balsa wood
19 x 19 x 11 cm
A sculptural group composed of two geometric volumes conceived through complementarity. Each piece asserts a presence of its own, yet its meaning is intensified through their mutual relationship, where void, fit and proportion establish a precise correspondence between the two forms.
Complementary Forms
Forma de agarre
Boxwood
4 x 15 x 3 cm
A piece built from a form associated with the gesture of holding and opening. Its elongated, perforated and gently modelled body shifts the logic of the functional object towards a sculptural reading, where ergonomics, trace and movement define its presence.
Grip Form
Manilla ergonómica
Boxwood
5 x 13 x 4.5 cm
A piece built from a form associated with the gesture of holding and opening. Its elongated, gently modelled body shifts the logic of the functional object towards a sculptural reading, where ergonomics, trace and movement define its presence.
Ergonomic Handle
Rosca
Boxwood
11 x 5 x 5 cm
The piece shifts a mechanical reference into a sculptural language, where repetition, volume and formal precision create a solid, silent presence.
Thread
Equilibrio ligero
Steel, lead and boxwood
7 x 8 x 7 cm
A small sculpture built from the crossing of lines and the relationship between weight and displacement. The piece combines an open structure with two minimal volumes, generating a fragile composition in which balance seems to emerge from a spontaneous, suspended gesture.
Light Balance
Máscara
Steel, pine and boxwood
50 x 46 x 15 cm
A portrait with an open structure, resolved in wire and wood, where the figure emerges from line, void and the restraint of the frame.
Mask
Dispersión
64 x 148 x 32 cm
Beech, steel and boxwood
An open wall-mounted structure, built from line, dispersion and the unstable balance between light elements and points of colour.
Artefacto para pintor
54 x 27 x 27 cm
Boxwood and steel
An assembled figure in wood and metal, incorporating everyday objects, where balance and articulation transform functional elements into a sculptural presence.
Artefact for a Painter
Columna ritual
A vertical piece built around containment, proportion and the tension between closed volume and interior space. Wood and metal articulate a sober, totemic presence.
Chestnut and iron
96 x 31 x 26 cm
Ritual Column
Copa de alambre
The work develops a vertical wire structure that expands upwards like a crown, weave or branching form, between spatial drawing, lightness and balance.
Iron and steel
136 x 72 x 40 cm
Wire Crown
Matías Díez Ochoa
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